"Maria Todaro’s take on Georges Bizet’s French classic adds a few new elements that only turn up the heat, namely taking the action from the 1800s to the late 1930s Spanish Civil War. This allows for the title character and her sisters in arms to be more strong-willed as women. Carmen isn’t just a Gypsy, she’s taking up the fight against a fascist oppressor and that’s pretty hot."
" “Carmen” features great performances of memorable numbers and Todaro’s thoughtful direction offers a new twist, not just heating up an old classic, but rather lighting a fire for the whole company to carry forward."
John Lamb, Inforum. Apr 13th 2019
"The combination of music director Wroe and artistic and stage director Maria Todaro could not have resulted in a better amalgamation of music and drama. The true genius of this production lay in its simplicity — Todaro created a believable and interesting set and staging for the three acts and various scenes of the opera, utilizing not only the stage itself, but the entire hall including the main aisle and the balcony of the church where various characters would appear, walking or running through the audience in immediate and thrilling connection with them."
-DAVID GERALD PALLADINO-SINCLAIR, NJ Arts, March 22, 2018
"As stage director, Todaro gave the character of Carmen a feminist take. Rather than the evil temptress who causes the downfall of an innocent soldier, she was presented as an independent, courageous woman doomed by an intolerant patriarchy. It helped that Todaro set the opera in the period of the Spanish Civil War, and Carmen’s smuggler compatriots were freedom fighters opposing the Fascists. More than one audience member questioned whether using sexual allure as power is really a feminist approach to life, but, well, the opera was written in the 19th century."
-Violet Snow, HV1, August 09, 2018